This book project traces the diverse ways in which contemporary Peruvian culture has resisted silencing, oblivion, and indifference, and has constructed alternative approaches to the understanding of traumatic realities through innovative reflections on the transmission of social memory through women’s gazes. Drawing from Benjamin, Agamben, Caruth, Richard, Sarlo, Butler, Quijano and other theorists who work on trauma, memory, gender and decolonization, this project analyses the intrinsic relationship between postdictatorial mournful memory work in cultural representations of the Peruvian Internal Armed Conflict (PIAC) and allegory as the trope that voices mourning. By identifying and filling in some critical shortcomings of existing research, this project offers an interdisciplinary approach that can illuminate and improve our understanding of the PIAC. My book aims to transmit social knowledge and memory, to preserve mournful memory and provide access to the heretofore unknown cultural responses to politics produced by women writers, playwrights, and film directors. Moreover, it strengthens the relevance of the humanities to the understanding of recent Peruvian, Amazonian and Andean histories and cultures, thus illuminating cultural resiliency, restoration, and healing.