The Popular Culture and Media Studies concentration in American Studies offers students an opportunity to explore the rich and complex role popular culture has played and continues to play in American life. In contrast to high culture or folk culture forms, "popular culture" generally refers to those commercialized leisure activities or arts that are broadly accessible to most Americans, either through their mass media production (music, radio, film, television, novels, newspapers, magazines, fashion) or wide availability (amusement parks, concerts, sports, Broadway shows, shopping malls, internet sites). Since the end of the nineteenth century, American culture has been defined through its popular arts, most obviously Hollywood films and television programs, and American popular culture and media products have had enormous effects on American identity.
Four broad sets of questions underpin our examination of American popular culture and media. First, what does our close examination of the formal elements of cultural products - their written and visual texts, their physical shapes and sounds - tell us about their specific cultural effects and meanings, both during the historical period in which they were produced and in the present? Second, how does examining the development processes and industrial histories of cultural products help us better understand their political, economic, technological, and social implications? Third, what does the reception of these products by audiences, either through live performances or mass media, tell us about their impact on the formation of American identities (gender, racial, sexual), values, and opinions? Finally, how does studying the history of American popular culture help us critically assess our current cultural politics and the role American popular culture continues to play in our understanding of ourselves as individuals, as members of social groups, and as national and international citizens?
In this concentration, students integrate courses from a number of disciplines, combining those that offer broad surveys of cultural development as well as close examinations of particular cultural products; students should also look for courses that offer a variety of methodological approaches to studying American popular culture.
Concentration Courses
Please note that the below list of possible courses is not exhaustive and that many courses listed under "TOPICS" headings may also count toward American Studies. Students may take an unlimited number of TOPICS courses, as long as the topic of each course is different.
Students must choose five courses from the following; however, exceptions may be granted by the Director of the American Studies Program. No more than three courses may be from any one department (AMS notwithstanding); at least three courses should be at the 300-level.
American Studies
Course List Course | Title | Quarter Hours |
AMS 150 | PERSPECTIVES ON AMERICAN IDENTITIES | |
AMS 202 | UNITED STATES POPULAR MUSIC HISTORY | |
AMS 250 | IN THEIR OWN VOICES: AMERICAN AUTOBIOGRAPHY | |
AMS 276 | HISTORY OF SEX IN AMERICA 2: LATE VICTORIANS TO THE PRESENT | |
AMS 285 | HISTORY AND U.S. POPULAR MEDIA | |
AMS 290 | AMERICAN VOICES: TO 1860 | |
AMS 291 | AMERICAN VOICES: FROM 1860 ONWARD | |
AMS 296 | TOPICS IN AMERICAN POPULAR CULTURE AND MEDIA | |
AMS 340 | AMERICAN POPULAR CULTURE: 1890s - 1930s | |
AMS 352 | SEX, GENDER AND SOCIAL MEDIA | |
AMS 360 | AMERICAN FILM | |
AMS 380 | TELEVISION AND AMERICAN IDENTITY | |
AMS 386 | ADVANCED TOPICS IN AMERICAN POPULAR CULTURE AND MEDIA | |
AMS 387 | ADVANCED TOPICS IN GENDER AND SEXUALITY STUDIES IN THE U.S./AMERICAS | |
African & Black Diaspora Studies
Course List Course | Title | Quarter Hours |
ABD 234 | BLACK AESTHETIC THOUGHT | |
ABD 235 | HARLEM RENAISSANCE AND NEGRITUDE | |
ABD 240 | BLACK MUSIC IN AMERICAN CULTURE | |
ABD 244 | AFRICAN DIASPORA WOMEN WRITERS | |
ABD 249 | JAZZ AND THE DIASPORIC IMAGINATION | |
ABD 261 | RADICAL AESTHETICS OF HIP HOP | |
ABD 262 | WHAT IS BLACK CINEMA? | |
ABD 320 | AFRICAN AMERICAN SCIENCE FICTION | |
ABD 371 | AFRICAN- AMERICAN FICTION | |
ABD 372 | AFRICAN AMERICAN DRAMA AND POETRY | |
ABD 374 | THE BLACK ARTS MOVEMENT | |
ABD 375 | RACE, MEDIA, AND REPRESENTATION | |
Anthropology
Course List Course | Title | Quarter Hours |
ANT 250 | MATERIAL CULTURE OF MODERN AMERICA | |
Asian American Studies
Course List Course | Title | Quarter Hours |
AAS 203 | ASIAN AMERICAN ARTS AND CULTURE | |
Communication and Communication Studies
Course List Course | Title | Quarter Hours |
CMN 102 | INTRODUCTION TO MASS COMMUNICATION | |
CMNS 230 | PERFORMANCE: COMMUNICATION, CREATIVITY AND THE BODY | |
CMNS 301 | AUDIO DOCUMENTARY | |
CMNS 305 | PERFORMANCE STUDIES | |
CMNS 308 | TOPICS IN INTERCULTURAL COMMUNICATION | |
CMNS 326 | ENVIRONMENTAL POLITICS AND RHETORIC | |
CMNS 337 | ASIAN-AMERICAN MEDIA REPRESENTATIONS | |
CMNS 339 | PERFORMANCE OF GENDER & SEXUALITY | |
CMNS 367 | PERFORMANCE FOR SOCIAL CHANGE | |
CMNS 369 | PERFORMANCE OF HUMOR | |
Critical Ethnic Studies
Course List Course | Title | Quarter Hours |
CES 405 | RACE AND THE MEDIA | |
English
Course List Course | Title | Quarter Hours |
ENG 236 | GRAPHIC NOVELS AND SOCIAL JUSTICE | |
ENG 265 | THE AMERICAN NOVEL | |
ENG 271 | AFRICAN AMERICAN LITERATURE | |
ENG 276 | LATINX LITERATURE | |
ENG 285 | LGBTQ LITERATURE | |
ENG 335 | TOPICS IN EARLY AMERICAN LITERATURE | |
ENG 345 | TOPICS IN 19TH-CENTURY AMERICAN LITERATURE | |
ENG 360 | AMERICAN LITERATURE TO 1830 | |
ENG 361 | 19TH-CENTURY AMERICAN LITERATURE | |
ENG 362 | AMERICAN LITERATURE FROM 1865 TO 1920 | |
ENG 363 | AMERICAN LITERATURE AFTER 1900 | |
ENG 364 | TOPICS IN GENRE STUDIES | |
ENG 365 | TOPICS IN 20TH-CENTURY FICTION | |
ENG 367 | TOPICS IN AMERICAN STUDIES | |
ENG 369 | TOPICS IN AMERICAN LITERATURE | |
ENG 371 | TOPICS IN AFRICAN AMERICAN LITERATURE | |
ENG 373 | MULTIETHNIC LITERATURE OF THE U.S. | |
ENG 374 | NATIVE LITERATURE | |
ENG 381 | LITERARY THEORY | |
ENG 384 | TOPICS IN LATINX LITERATURE | |
ENG 385 | TOPICS IN LGBTQ LITERATURE | |
History of Art and Architecture
Course List Course | Title | Quarter Hours |
HAA 260 | AMERICAN ART | |
HAA 265 | HISTORY OF PHOTOGRAPHY | |
History
Course List Course | Title | Quarter Hours |
HST 295 | AMERICAN HISTORY AND FILM/TV | |
HST 381 | AMERICAN POPULAR CULTURE 1890s-1930s 1 | |
Intercultural Communication
Course List Course | Title | Quarter Hours |
CMNS 230 | PERFORMANCE: COMMUNICATION, CREATIVITY AND THE BODY | |
CMNS 324 | CULTURE OF CONSUMPTION | |
CMNS 337 | ASIAN-AMERICAN MEDIA REPRESENTATIONS | |
Journalism
Course List Course | Title | Quarter Hours |
JOUR 343 | JOURNALISM AND THE AMERICAN EXPERIENCE | |
JOUR 361 | JOURNALISM LAW AND ETHICS | |
Media & Cinema Studies
Course List Course | Title | Quarter Hours |
MPOP 207 | HISTORY OF CINEMA I, 1890-1945 | |
MPOP 208 | HISTORY OF CINEMA II, 1945-1975 | |
MPOP 209 | HISTORY OF CINEMA III, 1975-PRESENT | |
MPOP 271 | MEDIA AND CULTURAL STUDIES | |
MPOP 273 | STORYTELLING & STYLE IN CINEMA | |
MPOP 342 | HISTORY OF TELEVISION & RADIO | |
MPOP 343 | MEDIA ETHICS | |
MPOP 344 | THE SEXUAL REVOLUTION: HOLLYWOOD IN THE 1960S | |
MPOP 351 | TOPICS IN TELEVISION STUDIES | |
MPOP 355 | SEX IN THE BOX: U.S. TELEVISION, SEX, AND SEXUALITY | |
MPOP 361 | FANDOM & PARTICIPATORY CULTURE | |
MPOP 366 | COMMUNICATION, TECHNOLOGY AND SOCIETY | |
MPOP 383 | TALKING ABOUT FILM: THEORY & CRITICISM | |
Public Relations & Advertising
Course List Course | Title | Quarter Hours |
PRAD 244 | PRINCIPLES OF ADVERTISING | |
PRAD 333 | HUMOR AND ADVERTISING | |
PRAD 335 | DIVERSITY & CURRENT ISSUES IN ADVERTISING AND PUBLIC RELATIONS | |
Political Science
Course List Course | Title | Quarter Hours |
PSC 321 | MASS MEDIA AND AMERICAN POLITICS | |
PSC 327 | PUBLIC OPINION | |
Religion
Course List Course | Title | Quarter Hours |
REL 212 | RELIGION AND POPULAR CULTURE 1 | |
Sociology
Course List Course | Title | Quarter Hours |
SOC 233 | SOCIOLOGY OF SPORT | |
SOC 280 | MASS MEDIA AND CULTURE | |
SOC 281 | SOCIOLOGY OF ROCK MUSIC | |
SOC 383 | VISUAL SOCIOLOGY | |
SOC 386 | POPULAR CULTURE AND THE ARTS | |
SOC 387 | SOCIOLOGY OF CELEBRITY | |
Theater
Course List Course | Title | Quarter Hours |
ACT 100 | POLITICS, POP CULTURE, AND THE STAGE | |
Women's and Gender Studies
Course List Course | Title | Quarter Hours |
WGS 255 | DECONSTRUCTING THE DIVA | |
Portfolio Requirement
Students are encouraged to maintain an active record of documents from their concentration courses, including syllabi, completed written course work, collections of visuals, e.g., photo essays -- whatever is appropriate to the six courses chosen for the concentration. Students will use these documents to aid them in writing reflective essays during the initial weeks of their senior seminar. These essays might ask you to consider “What were the course’s most valuable lessons in research, analysis, writing and communication? How did this course, taken together with the other courses you have chosen for your concentration, influence/develop your understanding of the area of American culture on which you are focusing?” These essays, along with representative assignments, will form the student's American Studies "portfolio." Students turn in their portfolio on the concentration, along with a proposal for the senior seminar project, in the first weeks of the senior seminar, AMS 301. Specific directions for the portfolio can be obtained from your American Studies advisor, from the American Studies Program office, or from the American Studies Program Director.
Open Electives
Open elective credit also is required to meet the minimum graduation requirement of 192 hours.
Content displayed from this DePaul University catalog page.