Kathleen Rooney is a founding editor of
Rose Metal Press, a nonprofit publisher of literary work in hybrid genres, as well as a founding member of
Poems While You Wait, a team of poets and their typewriters who compose commissioned poetry on demand. Her most recent books include the national best-seller Lillian Boxfish Takes a Walk (St. Martin's Press 2017/Picador 2018)The Listening Room: A Novel of Georgette and Loulou Magritte (Spork Press, 2018) and Cher Ami and Major Whittlesey: A Novel (Penguin, 2020).
A winner of the Ruth Lilly Fellowship from
Poetry magazine, she is the author of nine books of poetry, fiction, and nonfiction, including the novel
O, Democracy! (Fifth Star Press, 2014); the novel in poems Robinson Alone (Gold Wake Press, 2012), based on the life and work of Weldon Kees; the essay collection For You, For You I Am Trilling These Songs (Counterpoint, 2010); and the art modeling memoir
Live Nude Girl: My Life as an Object (University of Arkansas Press, 2009). Her first book is
Reading with Oprah: The Book Club That Changed America (University of Arkansas Press, 2005), and her first poetry collection,
Oneiromance (an epithalamion) won the 2007 Gatewood Prize from the feminist publisher Switchback Books.
With Elisa Gabbert, she is the co-author of the poetry collection
That Tiny Insane Voluptuousness (Otoliths, 2008) and the chapbook
The Kind of Beauty That Has Nowhere to Go (Hyacinth Girl Press, 2013). And with fellow DePaul professor Eric Plattner, she is the co-editor of
Rene Magritte: Selected Writings (University of Minnesota Press, 2016).
Her reviews and criticism have appeared in
The New York Times Magazine, The Poetry Foundation website,
The New York Times Book Review, BITCH,
Allure,
The Chicago Review of Books,
The Chicago Tribune,
The Paris Review,
The Los Angeles Review of Books,
The Nation and elsewhere.
She lives in Chicago with her spouse, the writer
Martin Seay. Follow her @KathleenMrooney